In the wake of Hulu’s new ‘Hellraiser’ reboot, we look back on the ways the franchise’s mutilated face has changed and morphed.
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A quick look at ‘Sawed Off,’ ‘Hinterland,’ ‘Don’t F*ck in the Woods 2,’ and more new straight-to-VOD fare.
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Michael Moore’s Oscar winner was released two decades ago. What can it still tell us about American gun culture?
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Stephanie Rothman’s captivating 1971 mixture of horror and sexploitation both embraces and inverts the venerable tropes of the vampire narrative.
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Lena Dunham goes medieval for this charming coming-of-age comedy based on the award-winning children’s book.
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Ruben Östlund’s Cannes winner is a savagely funny indictment of class, celebrity, and culture, even if it occasionally makes its points a bit too bluntly. Our review:
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Michael Mann’s follow-up to ‘Thief’ has been difficult to see properly for decades. As part of its seasonal offerings, the Criterion Channel is helping bring it into the light.
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The 1977 film and its 2015 remake both tell a story that’s part urban legend, part Grimm’s fairy tale, and part morality play.
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On the release of Andrew Dominik’s fiercely controversial Marylin Monroe epic ‘Blonde,’ a look back at an earlier depiction of the actress-as-symbol.
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Billy Eichner and Nicholas Stoller’s new gay rom-com barely manages to spice the too-familiar with anything remotely new.
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The 1970 Elliott Gould / Richard Rush collaboration, now streaming on Amazon Prime, is a prickly examination of early ’70s campus politics and activism.
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Disney’s long-awaited spooky season sequel is a cynical, careless cash grab.
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