Crooked Marquee — Page 107 of 247 — Delightfully unique (crooked) movie perspectives.

Classic Corner: The Brood

Divorce, Canadian Style.

David Cronenberg’s latest is a body-horror infused sci-fi film noir more interested in posing questions than answering them.

Chloe Okuno’s unnerving thriller puts the audience in the shoes of a woman being watched — rather than those of her voyeur, as most other films do.

With his new ‘Crimes of the Future’ out this Friday, we revisit one of the filmmaker’s most unusual but affecting works.

Did the French festival’s landmark 75th edition live up to its cheerfully celebratory premise?

Yippie kai-yay, melon farmer.

The legacyquel to the 1986 summer blockbuster offers up the expected action and stunts, alongside surprising doses of pathos.

With his new Sex Pistols series on the runway, we take a look at the prolific director’s career-long deployment of pop music.

Our mini-reviews of ‘Bad Influence,’ ‘Jurassic Tale,’ ‘Straight to VHS,’ and more.

Hollywood keeps getting the video game adaptation wrong. So how did the ‘Resident Evil’ movies get it right?

On Ralph Bakshi’s blisteringly transgressive animated satire of American race relations, now streaming on The Criterion Channel.

Alex Garland’s latest is ambitious and pointed, but this series of broadsides against toxic masculinity never quite comes together.