Matt Reeves’ pitch-black take on the Dark Knight is less like a superhero movie than a neo-noir crime thriller.
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As we close in on the Academy Awards, a look at how Miramax’s relentless campaigning turned a light romantic comedy into an Oscar spoiler.
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With “Public Enemies” joining “Blackhat” on Netflix, we sing the praises of Michael Mann’s messy 21st century digital aesthetic.
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A brief survey of terrifying fantasy films, ripe for rediscovery (though perhaps by those older than their protagonists).
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With a heart-wrenching Olympics behind us, it’s a fine time to look back at Michael Ritchie’s story of the pitfalls of winter sports.
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Joe Wright’s musical adaptation of the venerable romantic drama is a little bit messy, a little bit peculiar – and plenty affecting.
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The latest from the appropriately named Adams family (out tomorrow on Shudder) is another step forward for the horror-making brood.
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In Mr. Warmth: The Don Rickles Project (2007), Robert De Niro declares: “Don Rickles is a good actor.” Such a claim on its face should not raise an eyebrow. After all, Rickles’ comic persona, a self-described style of “exaggeration,” is a genius act in every sense of the word. But some may be surprised to […]
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Our mini-reviews of ‘Family Squares, ‘Ted K,’ Big Gold Brick,’ and more.
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The German festival returned to its usual dates, with the heavy shadow of Omicron hanging over it.
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In 1967, star John Wayne, director Howard Hawks, and screenwriter Leigh Brackett reteamed for a follow-up (and none-too-subtle remake) of their hit “Rio Bravo.” Here’s what happened next.
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Netflix’s new “direct sequel” to the 1974 masterpiece is a shameless travesty, and an embarrassingly transparent attempt to recreate the success of the 2018 “Halloween.”
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