The 78th edition of the French festival honored the past in more ways than one.
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Mark Rydell’s adaptation of Ernest Thompson’s play may be formulaic and it may be treacly, but it offers the opportunity to bask in the considerable glow of three movie legends.
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The latest entry in the venerable franchise boasts many of the same virtues of its immediate predecessor – and some of the same flaws.
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One of Disney’s earliest live-action hits had its roots on TV as a halfway marketing campaign for the Disneyland theme park.
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Our mini-reviews of “A Breed Apart,” “Worth the Wait,” “Nora,” and more of this week’s on-demand treasures and trash.
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Agnès Varda made her directorial debut not with a short, but the feature “La Pointe Courte,” first screened at Cannes 70 years ago.
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Released 75 years ago this week, Nicholas Ray’s brutal, bleak noir features Humphrey Bogart at his hard-boiled best.
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The first “Final Destination” film in over a decade is the best one yet.
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A new Indonesian remake of ‘Possession’ is the latest ill-advised reimagining of Andrzej Zulawski’s deeply personal masterpiece.
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Before any House reps vote on eliminating arts education in schools, they may want to watch this charming documentary about dance programs in New York elementary schools.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Six decades ago, Richard Lester won the Palme d’Or and directed the Beatles in their second feature. Both films show off his knack for comic invention.
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