A half century after its release, Sidney Lumet’s adaptation of the Agatha Christie classic remains the definitive big-screen take on Hercule Poirot.
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From Austin’s genre festival, our mini-reviews of ‘Get Away,’ ‘Never Let Go,’ ‘Bring Them Down,’ and more!
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A celebration of Francis Ford Coppola’s other 1983 S.E. Hinton adaptation — one of his strangest and most beautiful films.
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On the eve of the release of “A Different Man,” we examine director Aaron Schimberg and star Adam Pearson’s previous collaboration
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Coralie Fargeat’s body horror treatise on beauty is anything but dull.
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Milos Forman’s masterful biopic paints a complex portrait of Mozart as a man of both heart and genius.
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As this gangster classic re-enters the Criterion Collection, we offer an ode to Bob Hoskins’s most crucial contribution: his face.
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Our mini-reviews of “Guy Manley: Super Spy,” “The Zombie Wedding,” “Last Shadow at First Light,” and more of this week’s straight-to-home-viewing selections.
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The quintessential opening song and credits sequence for the third James Bond film were the most crucial piece that helped establish the franchise for decades.
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Our TIFF ’24 coverage closes out with mini-reviews of “The Fire Inside,” “Nutcrackers,” “Better Man,” “Saturday Night,” “Babygirl,” and more.
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This 1973 production, part of the American Film Theater project, captures awe-inspiring turns by Lee Marvin and Robert Ryan.
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It’s highly appropriate that In a Violent Nature is debuting on Shudder on a Friday the 13th, since it flips the script on those films and others of their ilk. The first feature from writer-director Chris Nash, who honed his skills on a series of shorts (including a segment of the 2014 anthology ABCs of […]
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