Crooked Marquee — Page 98 of 251 — Delightfully unique (crooked) movie perspectives.

Review: She Said

This newsroom drama finds thrills in the real-life takedown of Harvey Weinstein by “The New York Times.”

The culinary class satire sometimes misses its mark, but is held aloft by its mesmerizing leads.

Steve Martin and Carl Reiner’s affectionate film noir spoof turned 40 this year. Here’s why it makes for suitable Noirvember viewing.

Claire Denis once again offers a penetrating glimpse into the entanglements of humanity, albeit with a greater focus on the flesh.

Since ‘Armageddon Time’ is currently in theaters, let’s talk about when its director had to deal with Harvey Weinstein not once, but twice.

Fifty years later, the 1972 musical ‘1776’ remains a film worth watching, both for the honest and dishonest ways it portrays American history.

Steven Spielberg’s cinematic memoir is heartfelt, thoughtful, and messy – in roughly equal proportions.

The onscreen reunion of Bruce Willis and John Travolta is a mostly dispiriting experience.

A look at the screenplays and cinematic interpretations of the literary patron saint of American outcasts.

Our mini-reviews of ‘Vide Noir,’ ‘1-800-HOT-NITE,’ ‘I’m Totally Fine,’ and more of this week’s direct-to-VOD titles.

Eminem big-screen origin story – released 20 years ago – was a key step in the controversial artist’s path to mainstream acceptance.

Three decades after Tim Robbins’s biting political satire hit theaters, its remains reliably insightful and prescient.