The cycle of violence is grotesque and stupid as director Miike takes movie gore to depraved new depths.
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As the summer comes to a close, we recommend Ingmar Bergman’s 1953 masterpiece — a poignant and erotic story of lust, longing, and loss.
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This 1985 musical drama has a place of importance in American indie cinema that you might not guess from its current low profile.
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The rapturous response to “Mortal Kombat II”’s red-band trailer is evidence that the original 1995 adaptation’s maximalist approach is how you bring such a game to the big screen.
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Dan O’Bannon’s offbeat entry into zombie horror (released 40 years ago) throws in wild humor, punk aesthetics, and cranial desire to create a stew of delightfully odd gross-outs and scares.
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The imaginative collaboration between director Jean-Pierre Jeunet and writer Joss Whedon got the sci-fi/horror series back on track after a disastrous third installment.
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Werner Herzog’s documentary, released 20 years ago, is attempt to understand a man who wanted to become an animal — but it becomes an exploration of the complex relationship between the documentarian and his subject.
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Although they were each stars in their own right, Joan Blondell and Glenda Farrell briefly shone as a comedy team in neglected films like “We’re in the Money,” released 90 years ago this week.
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When Akira Kurosawa made this Russian co-production 50 years ago, his career (and life) was at a low point— and yet he came up with one of his most unusual and affecting pictures.
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Thirty years ago this summer, the uber-popular teen comedy genre took on some sci-fi trappings, with fascinating results.
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It’s been six decades since John Schlesinger’s swinging 60’s satire was released, but its dim view of the “good life” feels eternally relevant.
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Chris Sarandon, Roddy McDowell, William Ragsdale, Amanda Bearse — all legends. But 40 years after its 1985 release, we pay tribute to the unsung hero of the original ‘Fright Night.’
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