René Clair’s 1942 supernatural romantic comedy is the perfect Halloween viewing choice for anyone who isn’t into scary movies.
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The Lumière Festival paid tribute to the great French actress by showcasing her relatively obscure directorial efforts.
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The guy behind Hitchcock’s title sequences and the man who shot ‘The Godfather’ trilogy only got to direct one movie each, but they just happen to be two of the most unique-looking horror movies ever made.
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Producer Roger Corman gave director Amy Holden Jones free reign to craft a self-aware, feminist-tilting slasher movie (from a script by lesbian activist and author Rita Mae Brown). The results were exploitation magic.
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At the heart of its most misunderstood entry lies the best performance in the “Halloween” franchise (apologies to Jamie Lee Curtis and Donald Pleasence).
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Before ‘Halloween Ends,’ another ‘Halloween’ movie was supposed to be the final nail in the slasher-movie saga’s coffin.
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In the 1970s, character actress Jessica Harper starred in a pair of influential horror movies. Here’s why horror fans hold her in such high esteem.
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On its sixty-fifth anniversary, we look back at the greatest collaboration between husband and wife team Federico Fellini and Guilietta Masina.
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Dummies railing about the “wokeness” of the new ‘Hellraiser’ would be shocked, SHOCKED by the text and subtext of Barker’s directorial follow-up.
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In the wake of Hulu’s new ‘Hellraiser’ reboot, we look back on the ways the franchise’s mutilated face has changed and morphed.
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Michael Moore’s Oscar winner was released two decades ago. What can it still tell us about American gun culture?
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Stephanie Rothman’s captivating 1971 mixture of horror and sexploitation both embraces and inverts the venerable tropes of the vampire narrative.
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