Tarsem’s labor of love, years in the making, envisions a pirate’s life from a hospital bed in Hollywood’s early days.
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Tarsem’s labor of love, years in the making, envisions a pirate’s life from a hospital bed in Hollywood’s early days.
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The Ultimate Cut of the infamous movie is now out, but just how ultimate is it?
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Three interpretations of Herman Wouk’s “The Caine Mutiny” raise questions about the good and the bad of ingrained hierarchies, and what it means to dutifully and faithfully serve.
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Richard Linklater’s latest—the sexy romantic crime comedy ‘Hit Man’—rounds out a trilogy of true(ish) crime stories rooted in his native Texas.
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To re-record or lip-sync, that is the question.
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Two new documentaries grapple with questions that have only become more pressing in our post-Dobbs world.
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With Alex Garland’s ‘Civil War’ in theaters, we take a look at the long history of blowing up the nation’s capital in the movies.
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When Iris Apfel died in March, she left behind an improbable legacy as—to use her words—“a geriatric starlet.” After living in […]
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Across four recent movies, French filmmaker Julien Leclercq has established himself as an action auteur with seriousness and purpose.
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Staring down declining ratings and a sense of lost relevancy, the Oscar ceremony has contorted itself into pretzels trying to reclaim its former glory. But there’s a simple solution.
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Over the course of three films, Joe Swanberg and Jake Johnson took important artistic and personal steps reflected in the next phases of their careers.
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Nestled within the dramatic conducting sequences and prosthetic noses of “Maestro” is a quiet moment of grief so understated that it almost feels like it was an accident that it was included in the first place.
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