Over the course of three films, Joe Swanberg and Jake Johnson took important artistic and personal steps reflected in the next phases of their careers.
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Over the course of three films, Joe Swanberg and Jake Johnson took important artistic and personal steps reflected in the next phases of their careers.
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Nestled within the dramatic conducting sequences and prosthetic noses of “Maestro” is a quiet moment of grief so understated that it almost feels like it was an accident that it was included in the first place.
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Three recent variations on Mary Shelley’s classic novel finally capture the passionate feminist perspective the author embodied.
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In boarding school dramas like ‘Dead Poets Society,’ ‘Tea and Sympathy,’ ‘The Emperor’s Club,’ and the new ‘The Holdovers,’ filmmakers deftly explore the complications of upper-class abandonment.
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Joe Bob Briggs creates the ultimate celebration of B-movie culture for three days at a Las Vegas drive-in theater.
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Though a spate of recent movies have centered on famous merchandise, various factors undercut their item idolatry, keeping them from becoming extremely long advertisements.
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The new take on “The Haunted Mansion” is the Mouse House’s most recent stab at their ongoing effort to adapt movies from an unlikely source.
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With ‘Barbie’ hitting theaters this week, a look at how the director has used distinctive color palettes throughout her career.
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Over 20-plus years and five seasons, reality show ‘Project Greenlight’ has produced a strange assortment of movies that chart the evolution of the corporate indie film.
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With a new “Mission: Impossible” in theaters, a look at the surprising secrets to the series’ ongoing success.
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The cancellation of Turner Classic Movies’ cult movie mainstay TCM Underground leaves a void that will be difficult, but not impossible, to fill.
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With his comic legacy secured, the actor/screenwriter reaches new artistic heights with tales of real-life women on quests in “Philomena” and “The Lost King.”
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