This year’s Sundance-anointed horror favorite delivers the requisite shocks and thrills, with plenty of thoughtful character drama to boot.
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Our mini-reviews of ‘Titanic 666,’ ‘The Aviary,’ ‘Sexual Drive,’ and more direct-to-home-viewing choices.
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The latest from director Robert Eggers is a brutal yet beautiful Viking riff on ‘Hamlet,’ executed with bloody grace and burning performances.
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The Nicolas Cage meta-movie is an enjoyable valentine to the actor, even if it’s a bit too intoxicated by its own cleverness.
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Jane Schoenbrun’s haunting, low-budget psychological horror drama delves uncomfortably deep into living one’s life online.
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Our mini-reviews of “My Sweet Monster,” “Godforsaken,” “Spiritwalker,” and more recent straight-to-VOD fare.
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Michael Bay’s latest is a silly but smashing entertainment, an extended chase that takes all of his signature flourishes and cranks them up to top volume.
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Janus Metz Pedersen’s slow burn espionage thriller has plenty of ambition and two game stars, but little else going for it.
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The long-long-long-delayed Jared Leto supervillian tale has finally hit theaters, and it was not worth the wait.
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Our mini-reviews of ‘Boon,’ ‘4/20,’ ‘Jurassic Island,’ and more of this week’s straight-to-VOD fare.
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Daniels’ tribute to the iconography and talent of Michelle Yeoh is energetic and ingenious – but a little of it goes a long way.
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The Nee Brothers’ riff on ‘Romancing the Stone’ is as substantial as an éclair – and nearly as enjoyable.
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