Beyond ‘Wendell & Wild’ and ‘Pinocchio,’ Netflix had a third stop-motion animated movie in 2022 that deserves another look.
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Director Bianca Stigter turns three minutes of home movie footage into a powerful feature documentary about a community soon to be murdered in the Holocaust, and an essayistic meditation on the moving image – one of 2022’s best films.
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Our mini-reviews of ‘Nightride,’ ‘Teenage Emotions,’ ‘I’m Totally Fine,’ and more of the year’s best straight-to-home-theater fare.
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One of the best independent films of 2022 was Albert Birney and Kentucker Audley’s paean to the power of dreams.
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It turns out that a movie genre known for aimless characters and awkward interactions is perfect for telling stories about the holiday season.
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Our mini-reviews of ‘The Apology,’ ‘The Christmas Tapes,’ ‘Mistletoe Time Machine,’ and more of this year’s straight-to-VOD holiday fare.
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This week’s straight-to-VOD mini-reviews include “I Am D.B. Cooper,” “Dragon Eats Eagle,” and “Renegades.”
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With the release of ‘White Noise,’ we look through Noah Baumbach’s films to see how he has reckoned with the question: can I live with the decisions I have made?
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Carly Simon’s recent induction into the Rock & Roll Hall of Fame confirms her singer/songwriter bona fides. But what of her film work?
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Our mini-reviews of “Confessions of a Hitman,” “Ainbo: Spirit of the Amazon,” “Summertime Dropouts,” and more straight-to-VOD selections.
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These two horror films, made a decade apart, depict the breakdown of society to a degree where reality loses all meaning.
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Our resident Weinstein expert weighs in on the new film’s fact and fiction, and what’s changed in the years since its events.
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