The horror sequel is far from a perfect movie, but it could help move us away from lazy “eat the rich” satire to tap into the growing revulsion at the wealthy stemming from the Epstein Files.
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As Conan O’Brien prepares for a return hosting gig, we look back at a baffling assortment of celebs who nominated for Oscars the same year they hosted.
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Our mini-reviews of “NFT: Cursed Images,” “Trucker,” “The Forbidden City,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Ted Bunny,” “Hellfire,” “Last Ride,” and more new under-the-radar on-demand offerings.
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Whether working separately or collaborating on a film project, Elvis and Osgood Perkins have created a body of work that reflects the anxieties and melancholy of mortality.
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Our mini-reviews of “Grizzly Night,” “The Morrigan,” “Acts of Love” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “How to Lose a Popularity Contest,” “Dooba Dooba,” “Revolver Lily,” and more new under-the-radar on-demand offerings.
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The new independent drama “Rosemead” turns the spotlight on a section of Los Angeles that’s rarely recognized on screen.
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Our mini-reviews of “Super Happy Fun Clown,” “Sleepwalker,” “Tapped” and more of this week’s on-demand treasures and trash.
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Jason Reitman’s 2020 lockdown remake of the fantasy comedy classic may be the best and most heartfelt tribute to Rob Reiner’s legacy.
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Our regular contributors share their favorite movies of 2025 — both new and old.
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Amid the typical low-budget productions with goofy titles, a trio of accomplished Australian films made 2025 a standout year for sharksploitation cinema.
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