“She really is so hard on herself,” remarks a relative of the titular character in Kent Jones’ Diane. A gaggle of […]
Read more
“She really is so hard on herself,” remarks a relative of the titular character in Kent Jones’ Diane. A gaggle of […]
Read more
You can go crazy trying to understand the thinking of people who make and sell Hollywood blockbusters, but what they’ve done […]
Read more
In The Great Pretender, Mona (Maëlle Poesy-Guichard) insists that her autobiographical play is honest but her ex-boyfriend (Linas Phillips) says it’s […]
Read more
Two new films released in April, Andrew Haigh’s Lean on Pete and Chloé Zhao’s The Rider, take place in the American […]
Read more
In You Were Never Really Here, Lynne Ramsay continues to uphold her reputation for being an artist of uncompromising originality and […]
Read more
Eighteen feature films, more than 40 major characters, 10 years of stories, six Infinity Stones: There’s a lot going on in […]
Read more
You can tell Traffik is a serious movie about scary things because it’s spelled with a “k.” “Traffic,” who cares? But “traffik”?? […]
Read more
Experience has taught us not to get our hopes up about long-awaited sequels, especially sequels to films whose charms were obscure […]
Read more
There are some good ideas and thoughtful insights buried in the very messy I Feel Pretty, a comedy about female self-image […]
Read more
When an Israeli pilot refused to take off for another shot out of sheer exhaustion, Menahem Golan threatened him at gunpoint […]
Read more
Few actors are better suited to play a diplomat than Jon Hamm, and the erstwhile Don Draper brings his gregarious A-game […]
Read more
Blumhouse. The name has become synonymous with horror over the last decade. From macro-budget success stories to projects that make other […]
Read more