Marvel is back in the theaters – with a low-energy, checkbox-ticking entry, noteworthy only for the happy addition of a welcome supporting player.
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Marvel is back in the theaters – with a low-energy, checkbox-ticking entry, noteworthy only for the happy addition of a welcome supporting player.
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The recently departed director Monte Hellman took a wildly unconventional approach to filling the leading roles of his 1971 cult classic.
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Netflix’s second “Fear Street” film is a stronger effort than the first – and more steeped in the style (and gore) of its era.
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From ‘Siberia’ and ‘The Lighthouse’ to ‘Antichrist’ and ‘The Last Temptation of Christ,’ Willem Dafoe has refined the archetype of the modern man confronting the forces of nature.
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This month, we examine the woefully misguided flight attendant “comedy” ‘View From the Top,’ which Weinstein and company tastefully shelved after 9/11.
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Mini-reviews of ‘Scenes from an Empty Church,’ ‘Hatched,’ ‘Road to the Lemon Grove,’ and more of new direct-to-VOD titles.
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Released 30 years ago this week, ‘Terminator 2: Judgment Day’ expanded the canvas of James Cameron’s original – and explored his fascination with the limits of the human body.
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Jacques Tati’s delightful 1953 comedy is, in many ways, the perfect summer movie.
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The first of Netflix’s three “Fear Street” movies has a germ of a good idea, but the execution is off the mark.
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Deftly mixing mumblecore, surrealism, and LGBTQ themes, Brandon Colvin’s comedy/drama is slight but sweet.
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Steven Soderbergh’s latest crime picture offers the expected and customary genre pleasures – with a twist.
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The groundbreaking filmmaker and the genius of pulp fiction collaborated twice – but it was a tricky alliance, tripped up by stubbornness and ego.
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