Watch This: Invisible Life

Invisible Life is both an appropriate movie to watch right now and the kind of thing that could make the quarantine experience even more keenly felt – it depends on how you look at it. On one hand, Karim Aïnouz’s drama about separated sisters in midcentury Brazil is engrossing and transportive. On the other, if you’re […]

Read more

“Don’t” Hesitate to Stream This Triple-Feature

In his biblical tome Nightmare USA: The Untold Story of the Exploitation Independents, author Stephen Thrower likens exploitation films to “the uncultivated countryside of the American landscape, where weeds and flowers grow alike more freely,” as opposed to the more sterile laboratory environment of Hollywood. Prestige cinema has always been easy enough to find in […]

Read more

Review: Slay the Dragon

Political documentaries are always tough to critique from a purely cinema-based standpoint, if only because the format is usually superseded by the importance of the message, and that message is usually a little biased. Even films that attempt to present an issue in a way that can appeal to left and right alike usually end […]

Read more

Review: The Other Lamb

Slipperiness is the only constant in Polish director Malgorzata Szumowska’s English-language debut, which ably straddles the border between drama and horror. The Other Lamb skitters toward the border of the genre of unease and discomfort, dipping its toes in murky waters with both explicit visuals and unspoken implications. However, it gracefully refuses to dive in […]

Read more

Classic Corner: Hud

I selected Hud as the inaugural entry for “Classics Corner,” a new weekly feature spotlighting a pre-1980 film newly available on disc or streaming, mostly on a whim – it’s among the new additions to Hulu this month, and has been on Amazon Prime for a while, and it’s Martin Ritt directing Paul Newman, so […]

Read more

Nuns on the Run and the End of HandMade Films

HandMade Films was formed by George Harrison and his business manager, Denis O’Brien, for the express purpose of bankrolling Monty Python’s Life of Brian – so it was only natural that the company became a clearinghouse for Python-related film projects in the early ’80s. These included Live at the Hollywood Bowl, Terry Gilliam’s Time Bandits, […]

Read more
Back to top