REVIEW: Hustlers

With her new film, Hustlers, writer-director Lorene Scafaria (The Meddler, Seeking a Friend for the End of the World) wants to take you back to a simpler time in American history. The year was 2007, a new show called Keeping Up with the Kardashians had just begun to air, Usher ruled the radio, low-rise jeans […]

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Crazy Rich Asians and Ready or Not: When the Super-Rich Play Games, Everyone Loses

In the year since it was unleashed on the public, two schools of thought have formed around Crazy Rich Asians. Hailed for its inclusion of Asian and Asian-American actors in an industry where said actors are often sidelined, the Golden Globe-nominated romantic-comedy has been recognized as a progressive move forward. Representation matters. And it does […]

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Learning to Love the Wonderful, Elitist Telluride Film Festival

I have a complicated relationship with the Telluride Film Festival. It’s a world-class fest, usually playing some of the year’s best movies, many of them world premieres introduced in person by their directors and stars, who are always humble and gracious. The venues, despite being commandeered school gyms and such, have state-of-the-art sound and projection. […]

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REVIEW: It: Chapter Two

Before I get into grading It: Chapter Two, I’ll admit to being a bit baffled by the runaway success (commercially, but also critically) of its predecessor. At this point, 2017’s It (not to be confused with the 1990 miniseries adaptation of Stephen King’s 1986 horror novel) has become the highest-grossing horror film of all time, […]

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Where to find the Greatest Inspiration

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REVIEW: Don’t Let Go

David Oyelowo, the soulful actor who played Martin Luther King Jr. in Selma a few years ago, deserves mainstream success if he wants it, and tossing off a few crowd-pleasing potboilers might seem like the way to get it. But while Don’t Let Go (called Relive at its Sundance premiere) starts with a perfectly good premise, […]

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REVIEW: Tigers Are Not Afraid

A tough, beautiful urban fairy tale by Mexican writer-director Issa López, Tigers Are Not Afraid is a perfect example of how genre films can help us engage with real-world crises without being overwhelmed or discouraged by them. It’s set in an unnamed Mexican metropolis from which thousands of men, women, and children have disappeared since the […]

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