Although it caters to a large community of retirees, the Palm Springs International Film Festival still features its share of daring selections, on a program full of awards favorites (thanks to the festival’s timing, right in the middle of awards season) and official submissions for the Best Foreign Language Film Oscar (this year’s festival played […]
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It’s not fair to call Replicas the stupidest movie of 2019. The year is only two weeks old — and besides, it was supposed to be the stupidest movie of 2017, before it got shelved for reasons that become apparent upon viewing it. An affectless Keanu Reeves whisper-mumbles his way through the role of Will Foster, […]
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Everything about The Upside feels contrived and phony, like the movie version of an inspiring-but-fake anecdote your aunt shared on Facebook. Which is impressive, considering it’s a true story. Of course, it’s more directly a remake of the French film The Intouchables, which itself was inspired by a documentary about a wealthy Parisian quadriplegic who hired […]
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For most viewers, cult director John Waters’ movies are synonymous with transvestism, “bad taste” humor, and toxic American kitsch. But the Baltimore auteur has explored various political, sociological, and psychological themes in his movies over the course of his half-century career (his first feature, Mondo Trasho, was released in 1969). Perhaps the most intriguing motif […]
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If you think you would enjoy an uncomplicated, PG-rated movie about a dog traveling 400 miles to be reunited with her humans, there’s an excellent chance you will enjoy A Dog’s Way Home, which is exactly that and does exactly what you’d expect it to do (albeit with more CGI cats). Based on W. Bruce […]
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Destroyer begins with a bedraggled, hungover L.A. police detective being summoned to a crime scene: a man with a distinctive tattoo on the back of his neck shot dead, surrounded by ink-stained money. The weathered detective, Erin Bell, played by a severely de-beautified Nicole Kidman, tells her colleagues she might know who did it. When […]
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1999 is considered one of the strongest years of cinema in living memory. There will no doubt be countless articles in 2019 marking the 20th anniversaries of that year’s greatest hits and examining their impact and legacy. But this column isn’t about those movies. This column is about the overlooked gems from 1999 — the […]
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There’s something comforting about the fact that any popular new phenomenon will eventually be turned into the premise for a horror movie. For example, escape rooms are big lately. You and a few friends get locked in a room and have to solve puzzles to get out; if you don’t do it in time, you […]
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You don’t need any more than a passing familiarity with old-timey comedy duo Laurel and Hardy to enjoy Stan & Ollie, a loving biopic set primarily during a U.K. tour in 1953, years after their heyday and some time after they’d had a falling-out. You should have some L&H movies on hand, though, because Steve […]
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Box Office Mojo has data for 839 movies released in 2018. That’s a lot of movies! It’s also about 500 short. The actual number of new movies released in the United States in 2018 — “released” = played at least once a day for at least a week in at least one theater — is […]
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The usual disclaimers apply: I didn’t see every movie, I’m an idiot who doesn’t know what he’s talking about, etc. I note that four of the 10 were directed by women, and nine of them were “festival movies,” premiering at Toronto, Sundance, or Telluride. There were a lot of excellent movies in 2018, but these […]
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Etan Cohen didn’t write Holmes & Watson as a vehicle for Will Ferrell and John C. Reilly. Indeed, at one point Ferrell was going to play Dr. Watson, with Sacha Baron Cohen (no relation) as Sherlock. It’s hard to tell how much the script changed when Ferrell and Reilly got onboard as the detective and his […]
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