Now streaming on the Criterion Channel, Jonathan Glazer’s second feature is a haunting, grief-stricken romance with a never-better Nicole Kidman.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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The 74th Berlinale was a bittersweet experience, albeit an overall rewarding one.
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A fun example of how cool and influential a film can be without being particularly good, director Arthur Ripley’s Thunder Road launched a thousand imitators and helped create an entire iconography. The existential moonshiner melodrama wasn’t much of a hit upon its initial release in 1958, but the movie stuck around for so many years […]
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Ethan Coen surprises with his solo narrative debut, an oddball lesbian crime comedy.
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With new documentary “Dario Argento Panico” on Shudder, there’s no better time to dig into the Italian Master of Horror’s back catalog.
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Our reviews of “No Way Up,” “Kemba,” “Camp Pleasant Lake,” and more of this week’s straight-to-home-viewing fare.
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There’s only one reason to talk about “Eurotrip” two decades on: the pitch-perfect adultery anthem at its center.
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An appreciation of the under-appreciated Rosanna Arquette and Vincent Spano vehicle that was writer/director John Sayles’s first and last studio film.
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On her 110th birthday, an appreciation of the groundbreaking animated dinosaur whose influence is still keenly felt.
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This fraught but funny anti-rom-com was so ahead of its time, it was deconstructing a genre before it even truly existed.
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Jean-Pierre Jeunet prevented Harvey Weinstein from recutting “Amelie,” which eventually became an Oscar-nominated, worldwide hit. As it’s re-released in theaters this week, Craig D. Lindsey looks back at the too-damn-whimiscal French movie that was also “a soothing bit of hope and happiness during a very dire time in 21st-century history.”
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