Our mini-reviews of ‘The Christmas Classic,’ ‘El Sabor de la Navidad,’ ‘Christmas with Jerks,’ ‘Nightmare on 34st Street,’ and more direct-to-video holiday fare.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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The 1988 coming-of-age tale ‘Cinema Paradiso’ was practically patient zero when it came to Miramax taking a middlebrow foreign film and turning it into a much-adored, Oscar-winning hit.
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Two decades ago, Park Chan-wook’s revenge thriller reinvented Korean cinema. A decade Later, Spike Lee remade it.
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Tina Turner turned in a pair of indelible screen performances that extended—and, in some cases, subverted—the qualities that made her appealing on record and in concert.
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Ridley Scott’s latest is more than it appears, a sly comedy and psycho-sexual drama wrapped in a historical epic’s clothing.
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Our mini-reviews of “When Time Got Louder,” “Liberty,” “Eye for an Eye: The Blind Swordsman,” and more.
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Forty years after its debut, “Michael Jackson’s Thriller” remains in a category all by itself.
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Michael Cimino’s controversial Oscar winner (now streaming on Netflix) remains a model of atmosphere, authenticity, and mood.
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Emerald Fennell’s “Promising Young Woman” follow-up boasts fine performances and some memorable dialogue, but simply can’t sustain its clever premise.
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Colman Domingo has a blast as gay Black activist Bayard Rustin in George C. Wolfe’s “Rustin,” quite possibly the jazziest civil rights movie ever made.
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This unique horror film uses a serial killer’s crimes as a window on urban repression and loneliness.
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