Martin Scorsese’s latest is a towering achievement – a culmination and expansion of a second-to-none filmography.
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With 1983’s ‘The Dead Zone,’ David Cronenberg took on the all-American pastime of adapting a Stephen King novel.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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With their final film together out this week, a look at the decades-long creative collaboration between the director and the musician.
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Editor-in-chief Jason Bailey reports from the 61st edition of the New York Film Festival, with thoughts on new films from Todd Haynes, Richard Linklater, Jonathan Glazer, Pedro Almodóvar, Frederick Wiseman, and more.
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Robert Bresson’s penultimate film — now streaming on the Criterion Channel — remains challenging, difficult, and darkly funny.
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Twenty years ago, Michael Bay produced the cinematic rebirth of Leatherface, initiating a series of increasingly dire horror remakes.
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Joe Bob Briggs creates the ultimate celebration of B-movie culture for three days at a Las Vegas drive-in theater.
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Recent restorations of three early Adzrej Zulawski films (‘The Third Part of the Night,’ ‘Diabel,’ and ‘On the Silver Globe’) comprise an apocalyptic trilogy unlike any other.
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A look at how the venerable slasher trope changed for the times, via one film each from the ’70s, ’80s, and ’90s.
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“We were young and making a feature film! I think that kind of enthusiasm has a lot to do with the fact that while you’re young your standards are low. If you shoot something that looks like a real movie, that puts you into euphoria.” At 83, with the Godfather films, Apocalypse Now, and The […]
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There are not enough synonyms for “weird” to describe this delightfully dirty A24 musical comedy.
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