Richard Kelly’s sci-fi mindbender makes one yearn for a time when a movie could make a virtue of confounding its audience.
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Richard Kelly’s sci-fi mindbender makes one yearn for a time when a movie could make a virtue of confounding its audience.
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‘Blue Moon’ marks a career high for the former child actor, but it’s his work in Andrew Niccol’s 1997 sci-fi/drama that set him up for decades of success as a master of adult roles.
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Elia Kazan’s 1957 film is known as Andy Griffith’s show, but it’s Neal who gives its most crucial performance.
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Our mini-reviews of “How to Lose a Popularity Contest,” “Dooba Dooba,” “Revolver Lily,” and more new under-the-radar on-demand offerings.
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On the eve of its new Criterion release, a look at why this 1935 adventure is more than just swords and sea battles.
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Even recency-biased Netflix can’t help streaming this 1973 Best Picture winner, a fast-paced delight that floats on the considerable charms of Robert Redford and Paul Newman.
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You’ll laugh, you’ll cry, you’ll puke.
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A year after his passing, we look back at the small but eclectic list of films that the singular filmmaker produced.
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Remaking “Psycho” was always a fool’s errand, but Gus Van Sant’s infamous shot-for-shot redo is a fascinating experiment in reinterpreting a classic.
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The two newest movies in the Criterion Channel’s recently launched Directed by Atom Egoyan collection may initially seem like late-career afterthoughts for the Canadian filmmaker who’s best known for his 1994 international breakthrough Exotica and his 1997 Oscar-nominated drama The Sweet Hereafter. But while 2005’s Where the Truth Lies and 2009’s Chloe may not have […]
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Ang Lee’s adaptation of Rick Moody’s novel – part of the Criterion Channel’s ’70s movie series – delves beneath the surface of a turbulent time in America’s not-too-distant past.
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