Our mini-reviews of ‘The Best Man,’ ‘The Tank,’ ‘Invitation to a Murder,’ and more new straight-to-home-viewing fare.
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Before the new miniseries drops on April 21st, we revisit Cronenberg’s original vision of twin doctors behaving badly.
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Before George Romero, cinematic zombies were more haunted and tragic than flesh-hungry and horrific.
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Dorothy Arzner’s Pre-Code romance alternates between light comedy and doomed drama with airy ease.
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The ‘Dracula’-inspired horror/comedy takes a one-joke premise and stretches it until it snaps.
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This scattershot mob comedy is a waste of Toni Collette’s talents and the audience’s time.
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On the eve of the release of his new ‘Suzume,’ we reflect on Makoto Shinkai’s 2007 melancholy career highlight.
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Our bi-weekly look at the best new must-see titles on Blu-ray, 4K, and your subscription streaming services.
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Richard Rush’s final film, now streaming among the Criterion Channel’s erotic thrillers, is wild in none of the expected ways.
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The cancellation of Turner Classic Movies’ cult movie mainstay TCM Underground leaves a void that will be difficult, but not impossible, to fill.
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Offered up alongside the new, female-fronted take on the true crime story, the 1968 ‘Boston Strangler’ similarly reflects the moviemaking of its moment.
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Equal parts movie and manifesto, this gripping thriller is a call to action to do literally everything we can to save the earth.
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