Pitches We Rejected in Summer 2018

Here at Crooked Marquee, we are open to pitches from all writers, regardless of experience. Why, the number of pitches we get per week must be somewhere around [number that sounds impressive but plausible]! Many of these ideas are excellent, but a few bad ones slip through, too. Here’s a sampling of some of the pitches we rejected this summer.

Rejected Articles from Summer 2018

Ant-Man and the Wasp Reviewed by an Aunt, a Man, and a White Anglo-Saxon Protestant

Blue Is the Warmest Raptor: The Rise of Erotic Jurassic World Fiction

What If They Remade Ocean’s 8 but with Men?

How Hereditary Helped Me Overcome My Fear of Being Decapitated by a Telephone Pole

On Slender Man‘s Offensive Portrayal of Slim People

OK, I Give Up: Will Someone Tell Me What ‘MoviePass’ Is?

Other Pixar Shorts That Should Have Been About a Mother Eating Her Son

How Disney History Would Be Different If They’d Always Let White Supremacists Make Their Decisions for Them Instead of Just Starting Now

We Asked a Racist to Fact-Check BlacKkKlansman

An Interview with the Lesser Demon Who Cursed Will Arnett to Be in Show Dogs

There Was an Overboard Remake. Remember That??

They’re Crazy Rich — But Are They Asian Enough? An Investigation

A Complete List of Everything Denzel Washington Has Equalized

Why Thanos’ Finger Snap is Gay Cultural Appropriation

What The Meg Gets Wrong — and Right — About People Named Meg

Why You Won’t See the Deleted Nude Scenes from Won’t You Be My Neighbor? on DVD, Either

Just How Flexible is Elasti-Girl? An Inappropriate Investigation

Meet the Sack of Wet Bananas That Wrote Bad Samaritan

We Launch a Feud with Other Movie Sites, Starting with Those Bastards at Film School Rejects

Theory: Hereditary Is Actually a Stealth Prequel to The Joker

10 Mental Illnesses Christopher Robin Had Besides Hearing Stuffed Animals Talk

100 Kooky Things the Extra ‘K’ in BlacKkKlansman Might Stand For

Let’s Point and Laugh at the Ghostbusters Man-Babies Again, Just for Fun

How Every Movie Is a Commentary on Trump If You’re Desperate Enough for Content

Eric D. Snider has been a film critic since 1999, first for newspapers (when those were a thing) and then for the internet. He was born and raised in Southern California, lived in Utah in his 20s, then Portland, now Utah again. He is glad to meet you, probably.

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