Several years ago, while parsing out my love for the films of the late, lamented Tony Scott, I came to a […]
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Early in Claire’s Knee, Eric Rohmer’s 1970 comedy/drama, our protagonist Jérôme engages in an idle, maybe-hypothetical-maybe-not with his old friend Aurora, […]
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Imagine an early 20th century drawing room, or alternatively, a fog-laden crypt. Suddenly from the shadows he emerges—a man with pale […]
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In the Shadow of the Guillotine. The Murderous Corpse. The False Magistrate. The titles are as macabre as the masked madman […]
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“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how […]
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“A lightweight story.” That was what Hitchcock called his 1955 romantic thriller: “It wasn’t meant to be taken seriously.” In his […]
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Sofia Coppola’s career is nearly universally concerned with the unspoken loneliness of womanhood, and her directorial debut, The Virgin Suicides, often […]
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I have a VHS problem. They are my Chapstick: bought frequently, replaced before sufficient use, and lost from my pockets as […]
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“Life, every now and then, behaves as if it had seen too many bad movies.” So notes Harry Dawes (Humphrey Bogart) […]
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When Mary Harron’s American Psycho hit theaters twenty years ago, it sent shockwaves through mainstream cinema. It was daring, intelligent, and […]
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“I’m not a field agent,” he insists. “I just read books.” And while that might be true, he’s going to have […]
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Of all the strange things to be found throughout the films of David Lynch, one of the most startling comes at […]
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