As more documentarians tackle the women of the punk and pre-punk movements, are their films shattering norms like their subjects did?
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As more documentarians tackle the women of the punk and pre-punk movements, are their films shattering norms like their subjects did?
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David Cronenberg’s debut feature plays like a road map of the preoccupations that would consume him for the rest of his career.
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Kirsten Johnson’s documentary memoir is a creative, funny and deeply moving portrait of loss-in-process.
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Julie Taymor’s biopic features some welcome convention busting, but its simplistic hagiography wears thin.
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The vibrant street scenes and joyful interactions of Jacques Demy’s 1967 musical hit differently after all these months of isolation.
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The two animated 2015 animated features are worlds apart – yet strangely aligned in questions of empathy and introspection.
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With a new showcase of his work on the Criterion Channel, we look at how Albert Brooks explored the possibilities of his carefully crafted comic persona.
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It’s approaching its 45th anniversary and back on our minds thanks to Ryan Murphy’s ill-advised “Ratched,” so we look back at Milos Forman’s Oscar-sweeping story of rebellion (and emasculation).
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A very unusual dispatch from a very unusual Toronto International Film Festival.
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It’s a time capsule of ‘90s fashion, music, and attitudes. But its central ethos has, if anything, grown more poignant with the passage of time.
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The Netflix thriller has enough colorful characters and convoluted plotting for a limited series. But that messiness just makes it richer.
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Merawi Gerima’s drama is a deeply personal reminder that you can’t go home again.
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