This horror comedy has a juicy premise and some gifted performers, but it never quite comes together properly.
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This horror comedy has a juicy premise and some gifted performers, but it never quite comes together properly.
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Our mini-reviews of ‘Les Nôtres,’ ‘Finding Ophelia,’ ‘Take Back,’ and more.
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Pixar’s latest animated feature is a Miyazaki-inspired summer treat.
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Jessica Barden shines, and the details feel authentic, but Nicole Riegel’s drama is aimless and messy.
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Though prone to occasional slickness, the film adaptation of Lin-Manuel Miranda’s Broadway hit is infectious, joyful, and frequently moving.
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The latest installment in the durable horror franchise is a mixed bag: solid performances from its leads, hampered by a fatally flawed home stretch.
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Christian Petzold’s latest is a modern-day urban fairy tale, wrapping delicate truths in its fantastical clothing.
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Nobody asked for Disney’s latest experiment in live-action origin story IP exploitation, but it does offer some minor pleasures.
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John Krasinski’s sequel to his alien monster horror hit shows, oddly enough, little understanding of what made the first film work so well.
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Mini-reviews of five new straight-to-VOD titles, including ‘American Fighter,’ ‘’Drunk Bus,’ and ‘Digging to Death.’
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The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.
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Michel Franco’s bitterly neo-realistic social drama is a grim, unpleasant, and rarely insightful slog.
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