Our mini-reviews of “Prisoner of War,” “Takeout,” “All the Devils Are Here,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Finding Lucinda,” “Hidden Face,” “Live a Little,” and more new under-the-radar on-demand offerings.
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Martin Scorsese’s film preservation initiative is among the treasure troves on the Criterion Channel.
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David M. Stewart’s new biography of Jonathan Demme charts the director’s professional life and distinctive worldview.
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Our mini-reviews of “The Final Run,” “Custom,” “Whisper of the Witch” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Birthrite,” “The Girls Are Alright,” “That Alien, Sound,” and more of this week’s on-demand treasures and trash.
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Alfred Hitchcock’s 1938 delight may not be one of your go-to Hitch pics, but it should be.
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Our mini-reviews of “No Sleep Till,” “Bury Me When I’m Dead,” “Ghost Killer,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Hot Spring Shark Attack,” “Bang,” “Portraits of Dangerous Women,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Diablo,” “Don’t Tell Larry,” “So Fades the Light,” and more of this week’s on-demand treasures and trash.
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Michael Koresky’s new book chronicles how queernness slipped through the cracks of the Production Code.
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With the release of his latest feature, “The Phoenecian Scheme,” Wes Anderson continues to follow in the footsteps of the greatest of all auteurs, Federico Fellini.
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