Jason Reitman’s take on his father’s biggest hit is, hilariously, far more indebted to the work of Steven Spielberg than elder Reitman.
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The latest from “20th Century Women” director Mike Mills doesn’t match that film’s perfection (few do), but it offers plenty of emotional truths and warm performances nonetheless.
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The Hungarian acrobat, stuntman, horse trainer and martial artist is building a strange career, and a filmography shadowing that of the action icon.
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With Noirvember in full swing, we explore the filmography of one of the poet laureates of film noir.
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Gary Sherman is a director’s director. In a more just world, he’d also be a household name—at least in cinephile households—and enjoy a stature similar to John Carpenter. That Carpenter comparison isn’t a random one, as the two have more than a little in common with one another. Both were—or, technically, still are—consummate craftsmen; both […]
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It’s another day that ends with the letter “y,” so it’s time to talk about Martin Scorsese again. Sorry that this man is so prolific! Sorry that his career is so varied! Sorry that his cinematic output is so singularly an extension of his array of influences, interests, and inspirations that every film is worth […]
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Elia Kazan’s 1950 classic – now streaming in the “Fox Noir” program of the Criterion Channel – is both of its moment and eerily prescient.
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Kenneth Branagh’s latest is wistful, nostalgic, and light as a feather – and that’s its biggest problem.
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A deep dive into Chloé Zhao’s debut feature – and its relation to her MCU entry, ‘Eternals.’
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Rebecca Hall’s period drama is gorgeously photographed, masterfully acted, and sensitively rendered.
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Our mini-reviews of ‘Double Walker,’ ‘Hell Hath No Fury,’ ‘Soulmates,’ and more.
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David Mamet’s intricate caper flick – released 20 years ago this week – is an underrated gem, filled with memorable dialogue, first-rate performances, and ingenious twists.
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