‘Sopranos’ creator David Chase only penned two theatrical films before the upcoming ‘Many Saints of Newark’ – but both share fascinating common themes with his best known work.
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This month’s look back at the cinematic misdemeanors of Harvey Weinstein collides with his real-life crimes.
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The Alan Arkin-directed Elliott Gould vehicle, now streaming as part of Criterion Channel’s “New York Stories” series, is the comic equivalent of grimy classics like ‘Taxi Driver.”
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Riz Ahmed continues to impress, not only as an actor but writer, in Bassam Tariq’s hip-hop infused drama.
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Marvel’s latest is refreshingly light and fast-paced, and (mostly) free of the copious lore that has weighed down much of the franchise.
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Few films have faced as many impediments to success as David Lynch’s adaptation of Frank Herbert’s sci-fi tome — and the cinema gods aren’t done with it yet.
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Our mini-reviews of ‘Zone 414,’ ‘When I’m A Moth,’ and more of this week’s direct-to-VOD titles.
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In six masterful late ‘50s Westerns, director Budd Boetticher and star Randolph Scott brilliantly reimagined the Western and its hero.
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The 2021 Karlovy Vary Film Festival paid tribute to the outstanding work of Martin Scorsese’s Film Foundation.
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Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.
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The over-the-top comedy (new on Hulu) offers up a handful of laughs and some missed opportunities.
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With his new film “The Card Counter” in theaters soon, we look back at one of Paul Schrader’s strangest – and least understood – works.
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