With the Sundance hit ‘CODA’ landing on Apple TV+ this week, we look back at the French film – seldom seen in America – that inspired it.
Read more
On the 140th anniversary of his birth, a look back at the man who, in many ways, defined modern moviemaking.
Read more
Our mini-reviews of ‘Faking a Murderer,’ ‘Notorious Nick,’ ‘Crime Story,’ and more new straight-to-VOD titles:
Read more
Why has the fifty-plus-year-old French thriller ‘La Piscine’ (now streaming on the Criterion Channel) so resonated with audiences this summer? Some thoughts:
Read more
Leos Carax’s Cannes award-winning Sparks musical is delightfully daft, unapologetically operatic, and frequently spellbinding.
Read more
The debut feature from director Pascual Sisto is impressively crafted, if a bit too heavy-handed with its influences.
Read more
When you think of Cannon Films, you typically think of exploitation movies and Chuck Norris vehicles. But the ‘80s legends also assembled an impressive array of art films, and provided opportunities for auteurs in need.
Read more
This month’s summary of the cinematic misdeeds of Harvey Weinstein looks back at ‘Dead Man,’ the Jim Jarmusch Western that Miramax tried to toss into an unmarked grave when its uncompromising director spurned Harvey’s scissors.
Read more
It’s a very big summer for Sparks, with an acclaimed documentary in theaters and a feature musical at Cannes. But their cinematic endeavors weren’t always so successful
Read more
‘The Killing of a Chinese Bookie’ was titled and sold like a gangster movie, but it’s something much harder to pin down: a Cassavetes movie.
Read more
Tom McCarthy’s latest is a tricky but rewarding picture, complicating our notions of rugged American individualism (and Matt Damon’s screen persona).
Read more
Edson Oda’s Sundance drama is ambitious but messy, with a solid premise and winning performances often undermined by flimsy writing.
Read more