Review: The Hunt

Exploitation movies are quick, dirty, gory fun. They’re also usually in questionable taste, which is part of their lowbrow entertainment value. You don’t watch VFW or Hobo with a Shotgun or even Brawl in Cell Block 99 for trenchant socio-political commentary. You watch these movies because nasty, well-executed action is thrilling to watch, and self-aware […]

Read more

Crooked Marquee’s True/False Film Fest 2020 Diary

The True/False documentary film festival is like Disneyland for non-fiction filmmaking. For one weekend every year, the small college town of Columbia, Missouri becomes a magical place where anything is possible. Renowned filmmakers rub elbows with college students, bartenders and farmers. High school science teachers break out their craziest outfits to help organize lines of […]

Read more

Review: Onward

With each new Pixar release, there’s a temptation to immediately see where it ranks. How does it stack up to The Incredibles’ sophistication and style? The Toy Story movies’ tender love for childhood and appreciation of growth? Inside Out’s ability to make you cry floods of heartfelt tears from its opening seconds? Onward probably fits […]

Read more

Review: First Cow

Typically, the heroes of Westerns are rugged cowboys, bombastic outlaws, or noble sheriffs. They are men with a sneer on their lips and a gun on their hip. They are power fantasies that make the Wild West seem like a grand adventure, gladly glossing over the mundane menaces of living outside civil society. Like where […]

Read more

Review: Escape from Pretoria

The inmates who break out of Pretoria Central Prison are imprisoned for their political activities, but the context is mostly irrelevant to Francis Annan’s Escape From Pretoria, which is far more interested in generating suspense and painstakingly chronicling procedural details than in delivering a social message. Based on the memoir by South African anti-apartheid activist […]

Read more

Review: Run This Town

Ricky Tollman’s Run This Town begins in a bout of stylistic frenzy that defines the ambitions, if not the overall tone, of his film quite well. A mock debate session among whip-smart post-grads quickly borders on sensory overload; Tollman deploys enough split screen to make Brian DePalma blush and gives the characters rapid-fire Sorkinese to […]

Read more

Review: Carol of the Bells

Although he’s still best known for being John Travolta’s brother, for a while in the ’90s and ’00s Joey Travolta carved out a surprisingly robust career as a director of direct-to-video oddities, from kids’ movies starring Ernest Borgnine and a giant turtle or Pat Morita and aliens, to erotic thrillers featuring softcore icons Shannon Tweed […]

Read more

In Praise of Roxanne Benjamin, Patron Saint of Flawed Femme Leads

Midsommar. The Invisible Man. Hereditary.  It’s a common staple of horror, but lately lots of genre films have featured (white) women who are perceived as weak-minded and unstable until suddenly (and sometimes horrifyingly) they are not. Recent film criticism has interrogated the implications of such depictions of hysteria and emotional weakness in women leads. Remember […]

Read more
Back to top