REVIEW: Judy

Considering how good America is at producing icons worthy of biopic treatment, it’s ironic how bad we are at making biopics. The usual formula is for someone to give a career-best performance as some tortured artist or other but for the movie itself to be a by-the-numbers recitation of events from the person’s history. This […]

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Stick to the Script: Christopher Guest’s The Big Picture (1989)

Long before he corralled some of the screen’s most skilled improvisers to make such classic mockumentaries as Waiting for Guffman, Best in Show, and A Mighty Wind, Christopher Guest served his apprenticeship as a performer with the National Lampoon. As the magazine branched out into other media in the early ’70s, Guest did double duty […]

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REVIEW: Rambo: Last Blood

The Rambo franchise is about a U.S. veteran who keeps finding himself in situations where he has no choice but to kill dozens of foreigners. He’s always just minding his own business, not killing anybody, when someone comes along and recruits him for a mission. Then it’s only a matter of time before Rambo looks […]

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REVIEW: Downton Abbey

I stopped watching Downton Abbey near the beginning of season 4, when a character was raped and I realized the show was just a regular ol’ soap opera now. The Downton Abbey movie wasn’t made for me, then (it’s for super-fans), but I didn’t have much trouble picking up the plot threads and enjoying a two-hour […]

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Fantastic Fest Review: Synchronic

Justin Benson and Aaron Moorhead have been floating around the edges of indie sci-fi/horror for the last few years, writing and directing thoughtful under-the-radar films like Spring (2015) and The Endless (2018) that were acclaimed in certain circles but didn’t get much mainstream attention. The duo’s latest, a moody sci-fi drama called Synchronic, could be […]

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Tips and Insights About Productivity

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REVIEW: The Peanut Butter Falcon

Some things just go together: spaghetti and meatballs, ham and cheese, beans and rice, peanut butter and… freshly caught fish? You have to hand it to Tyler Nilson and Michael Schwartz: The pair of writer-directors have made a hell of a debut feature using a surprising combination of ingredients, some of which sound completely unappetizing […]

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