REVIEW: Kid Superhero Shazam!

Despite their adventures ostensibly being aimed at kids, most superheroes aren’t children themselves. Except for the Spider-Men and occasional moments with the younger X-Persons, we rarely see a superhero revel in the sheer delight of having awesome powers. So part of what makes Shazam! a treat is that the hero is a 14-year-old boy, Billy […]

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REVIEW: Stoner Comedy The Beach Bum

The title character in The Beach Bum, a stoner-poet named Moondog, is the part Matthew McConaughey was born to play, and he is indeed at his McConaughey-est here: grinning, giggling, pontificating, publicly urinating, stumbling hazily from one party to the next, just generally living his best life. But the film is written and directed by […]

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REVIEW: Disney Turd Dumbo

The self-cannibalization at Disney continues with Dumbo, a turgid, labored, bloated live-action remake of the 1941 animated classic with precisely none of the original’s emotion, charm, or joy. Why do these things that are obviously bad ideas to begin with keep turning out so bad? It is a mystery. Directed by a somewhat toned-down Tim […]

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REVIEW: Coming-of-Age Drama Giant Little Ones

Coming-out stories have become common enough that movies are starting to tell them with nuance. The “Am I gay?” question no longer has only two possible answers; there’s a whole spectrum, as 17-year-old Franky Winter (Josh Wiggins) discovers in Giant Little Ones, a discreet and decidedly un-salacious drama from Canadian filmmaker Keith Behrman. Franky is […]

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Can You Ever Just Be Whelmed? 10 Things I Hate About You at 20

Twenty years ago, Katarina Stratford — played by the inimitable Julia Stiles — blasted Joan Jett’s “My Reputation” from the speakers of her 1964 Dodge Dart; Heath Ledger’s Patrick Verona danced across stadium bleachers belting Frankie Valli’s “Can’t Take My Eyes Off of You”; and a generation of adolescent girls found their new role model […]

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REVIEW: Indie Drama Starfish

An apocalyptic event happens so subtly in Starfish that you almost don’t notice it. The reasons for that are probably more practical than artistic — it costs money to show widespread devastation — but it adds to the intrigue of this melancholy sci-fi drama, which can feel both realistic and dreamlike, even in the same scene. […]

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