Molly Gordon is wildly funny in this black comedy about the perils of dating.
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Molly Gordon is wildly funny in this black comedy about the perils of dating.
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The Oscar-winning actor’s sole directorial effort was released 55 years ago. Though considered one of the finest films of the 1950s, it took some time to find its audience.
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Our mini-reviews of “No Sleep Till,” “Bury Me When I’m Dead,” “Ghost Killer,” and more of this week’s on-demand treasures and trash.
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What happens when Hollywood’s alpha male of action cinema slips a little existentialism into his escapism? The results are somewhat confusing but strangely compelling.
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Frank Marshall’s “thrill-omedy” deftly combines Hitchcockian suspense with campy 1950s creature feature fun, but there’s more to this film than basic B-movie entertainment.
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Now streaming on the Criterion Channel as part of its Summer Romances series, Elia Kazan’s 1961 melodrama of sexual frustration is overheated in the best possible way.
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Ari Aster’s latest is sprawling, insulting, ambitious, condescending, evocative, and irritating – all in roughly equal proportion
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Tobe Hooper’s horror classic was part of Alexandre O. Philippe’s programming strand at the Karlovy Vary International Film Festival.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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In 1945, Gene Kelly was about to near the beginning of his illustrious career. Jerry Mouse was already at the top. We explore how the two came to dance together.
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In a setting away from their childhood homes, two young men realize they have taken different paths. One has entered into professional success and presents himself with a kind of cocksure swagger, while the other watches in sustained awe from a state of suspended adolescence. This pent-up frustration gives way to a pursuit to reclaim […]
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Bill Murray’s only directorial effort captures his curmudgeonly spirit in its chronicle of three bank robbers on a farcical New York City odyssey.
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