The new romantic dramedy from Celine Song has more on its mind than your average who-will-she-choose story.
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Michael Koresky’s new book chronicles how queernness slipped through the cracks of the Production Code.
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Our first dispatch from this year’s Tribeca Festival includes mini-reviews of “Videoheaven,” “It’s Dorothy!” “Re-Creation,” “One Spoon of Chocolate,” and more.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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With Alan Rudolph in the Criterion Channel’s Director Spotlight, we shine a light on one of his most eccentric – and stylish – films.
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Even with the sexuality of its source material toned down, Billy Wilder’s playful, lust-filled fantasia (released 70 years ago this week) is a lively and funny showcase for Marilyn Monroe.
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Mike Flanagan tries for his ‘Shawshank Redemption’ with this heartwarming Stephen King adaptation.
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With the release of his latest feature, “The Phoenecian Scheme,” Wes Anderson continues to follow in the footsteps of the greatest of all auteurs, Federico Fellini.
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Our mini-reviews of “The Karamazovs,” “The Gardener,” “Bleeding,” and more of this week’s on-demand treasures and trash.
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On the eve of its much-ballyhooed re-release, a look back at the hubbub around one of the few movies Miramax couldn’t (technically) release.
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Fassbinder’s riff on “Sunset Boulevard” depicted the decline of a movie-star in post-war Germany with stunning cinematography and a total sense of hopelessness.
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By its nature, precision on screen can seem stuffy or dull. A filmmaker following the rules — even the ones they’ve set for themselves — could lead to a resulting film that feels by-the-numbers or coldly rigid. With The Phoenician Scheme, Wes Anderson is, well, Wes Anderson, adhering as closely as ever to what the […]
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