Recently name-checked by Emma Stone as an inspiration for “Poor Things,” this Czech New Wave classic deserves a much bigger audience.
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The new musical remake is bright and energetic, but doesn’t really add much to an untouchable original.
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Jake Johnson makes his directorial debut with this weird high-concept comedy.
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Joseph Losey’s 1963 drama is a good old-fashioned “F*** the Rich” tale.
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Our mini-reviews of “A Place Of Our Own,” “Hellhounds,” “Hellhound” (two different movies!) and more.
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Over the course of three films, Joe Swanberg and Jake Johnson took important artistic and personal steps reflected in the next phases of their careers.
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Director Don Siegel’s “Dirty Harry” follow-up was 1973’s “Charley Varrick” (now streaming on Netflix), a lean, mean, nasty little heist thriller starring… Walter Matthau?
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Daniel Levy’s feature directorial debut is a cozy, comforting comedy about how love and friendships help us through pain.
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Nestled within the dramatic conducting sequences and prosthetic noses of “Maestro” is a quiet moment of grief so understated that it almost feels like it was an accident that it was included in the first place.
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A look at the drama, both onscreen and off, of this classic but underseen romantic three-hander from director David Lean.
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The image of the protagonist running across space on New Year’s Eve is a potent one, scattered across cinema history, with classic films redefining it for a new era and a new audience. What does it convey about our desire for newness and progression?
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I’ve spent a fair amount of time over the last couple of weeks trying to understand why I haven’t been able to concur with the widespread opinion, shared in quite a few listicles just like this, that 2023 was a particularly exceptional year for movies. I’m not saying it’s been a bad one, certainly, as […]
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