Joe Bob Briggs creates the ultimate celebration of B-movie culture for three days at a Las Vegas drive-in theater.
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Recent restorations of three early Adzrej Zulawski films (‘The Third Part of the Night,’ ‘Diabel,’ and ‘On the Silver Globe’) comprise an apocalyptic trilogy unlike any other.
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A look at how the venerable slasher trope changed for the times, via one film each from the ’70s, ’80s, and ’90s.
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“We were young and making a feature film! I think that kind of enthusiasm has a lot to do with the fact that while you’re young your standards are low. If you shoot something that looks like a real movie, that puts you into euphoria.” At 83, with the Godfather films, Apocalypse Now, and The […]
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There are not enough synonyms for “weird” to describe this delightfully dirty A24 musical comedy.
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Kitty Green’s tense drama pits two women against a world of bad men in the Australian Outback.
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Kristen Roupenian’s ‘New Yorker’ short story becomes one of the most bafflingly batty films of the year.
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Rebecca Miller’s comedy squanders a great cast and a fun premise with a crazy twist.
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Victor Erice’s masterpiece of the horrors of the Franco era is perfect spooky season viewing for those who prefer more symbolic scares.
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Our mini-reviews of “The Plus One,” “Mary Had a Little Lamb,” “Caddy Hack,” and more of this week’s straight-to-home fare.
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In 1988, idiosyncratic filmmaker Ken Russell kicked off a three-picture deal with Vestron Pictures with a delightfully absurd, low-budget adaptation of one of Bram Stoker’s *other* novels.
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Robert Redford and George Roy Hill’s 1975 reunion (now streaming on Netflix) is a fascinating experiment in tonal shifts and audience empathy.
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