So Yong Kim’s achingly realist romantic drama is a cut above the usual Sundance indie romance fare.
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So Yong Kim’s achingly realist romantic drama is a cut above the usual Sundance indie romance fare.
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This week’s straight-to-VOD mini-reviews include “Who Invited Charlie?,” “Woman of the Photographs,” and “Daughter.”
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In her debut directorial effort, writer/director/star Elaine May proved love means never having to kill in cold blood.
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We kick off our week of anti-Valentine’s Day recommendations with this bleak, bitter New York City drama from director Jack Garfein.
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With Jerzy Skolimowski’s name back in the headlines for his Oscar-nominated “EO”, we look back at one of his early provocations.
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Four living legends (and, y’know, Tom Brady) front an odd combination of broad comedy, road movie, and NFL idolatry. Unsurprisingly, it’s kind of a mess.
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M. Night Shyamalan’s small-scale thriller gets a big boost from Dave Bautista’s killer performance.
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Plus ‘Dawn of the Dead,’ ‘The Jackie Chan Collection,’ ‘The Italian Job,’ ‘The Lady From Shanghai,’ and more new must-stream and must-buy films.
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Our mini-reviews of “Petit Mal,” “Erin’s Guide to Kissing Girls,” “Blood,” and more of this week’s straight-to-VOD fare.
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A look at Sundance’s non-fiction offerings, including “STILL: A Michael J. Fox Movie,” “King Coal,” and “Judy Blume Forever.”
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Twenty-five years ago, Alfonso Cuarón transformed Charles Dickens’ renowned novel into his most underrated film.
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More from our man on the ground at Sundance, including mini-reviews of “Infinity Pool,” “Eileen,” and “Fair Play.”
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