Despite little fanfare, ‘Silent Night’ is a sharp (if melancholy) holiday film, capturing a Christmas party spent on the brink of humanity’s destruction.
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Twelve years after its premiere, Jalmari Helander’s feature debut remains one of the most pleasant surprises in contemporary horror comedy.
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Our mini-reviews of ‘The Apology,’ ‘The Christmas Tapes,’ ‘Mistletoe Time Machine,’ and more of this year’s straight-to-VOD holiday fare.
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Did a low-budget sci-fi noir inadvertently start the boom of Christmas action movies in the 1980s?
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A look back at Abel Ferrara’s gritty and prophetic Christmas-time crime thriller – a holiday fable as only he could tell it.
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Wintry dreams of rubber-suited heroes and kinkily catsuit-clad vigilantes danced in Tim Burton’s head when he crafted the sequel to his 1989 hit.
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For its 25th anniversary, we look back at Quentin Tarantino’s ‘Pulp Fiction’ follow-up ‘Jackie Brown’ – its breathless anticipation, initial disappointment, and eventual (and deserved) reappraisal.
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Francois Truffaut’s debut feature is one of the seminal texts of the French New Wave, and a thornier-than-usual examination of a childhood informed by the cinema.
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The latest from Sam Mendes is admirably ambitious but ultimately unsuccessful – a case of a director who needed a stronger screenwriter than himself.
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“What if the Grinch was the killer in a forgettable indie slasher movie?” is not a question that needed to be answered.
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The Oscar-winning director reinvents the timeworn tale with this fresh but flawed stop-motion version.
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We first see Charlie as his students see him: as a black box in a Zoom class. “The camera on my laptop still doesn’t work,” he chuckles. “You’re not missing much.” When he’s finally seen, he’s masturbating so furiously he nearly has a heart attack. Severely obese, his blood pressure is 238/134; he suffers from […]
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