The best theatrical Looney Tunes project is also the one its own studio appeared to have the most contempt for.
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In a season of high-profile labor actions, Barbara Kopple’s Oscar-winning 1976 documentary feels more essential than ever.
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On the 40th anniversary of its release, an examination of Bob Fosse’s final film, and what it has to say about sexual violence and exploitation.
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In boarding school dramas like ‘Dead Poets Society,’ ‘Tea and Sympathy,’ ‘The Emperor’s Club,’ and the new ‘The Holdovers,’ filmmakers deftly explore the complications of upper-class abandonment.
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Brian De Palma and Al Pacino’s other gangster classic deserves recognition as one of their best.
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Yasujiro Ozu’s 1953 masterpiece (now streaming on Max and the Criterion Channel) remains a heart-wrenching work of quiet minimalism.
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Ida Lupino and Richard Widmark lead this underrated 1940s thriller full of assertive sexuality and barbed takedowns.
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Woody Allen’s Miramax movies were a quartet of dirty-minded, star-studded screwball comedies where a post-scandal Allen was at his most invincible — and most unrepentant.
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The 1982 Tobe Hooper/Steven Spielberg team-up remains one of the latter’s most fascinating works, both revisiting and subverting his recurring preoccupations.
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Given its time, ‘I Want to Live!’ (released 65 years ago this week) is surprisingly aware of the raw deal women defendants get in a “trial by media.”
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Though classic ghost stories are told time and time again, Alejandro Amenábar’s ‘The Others’ reminds us that each retelling can be surprising and scary.
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Now streaming on the Criterion Channel, James Whale’s follow-up to ‘Frankenstein’ warrants enshrinement in the Universal Horror pantheon.
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