Michael Myers’ return from the grave in 2002 had dire consequences for Laurie Strode, but things could have gone differently.
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Alan J. Pakula’s 1974 conspiracy thriller is that rarest of beasts: a film firmly rooted in its moment, yet increasingly relevant with the passage of time.
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The #GIRLBOSS is dead, but Nancy Meyers’ ‘The Intern’ is alive with ideas about what isn’t working for women in the workplace. It’s worth reconsidering in light of the disillusioning years since its release.
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With “Hallelujah: Leonard Cohen, A Journey, A Song” in theaters, we look at a few of the previous documentary portraits of the iconic singer/songwriter.
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‘Goodfellas’ may be Liotta’s top film, but his performance in Joe Carnahan’s detective thriller remains a step above.
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John Cassavetes’ scorching 1968 drama of marital misery has lost none of its considerable power after decades of imitation and influence.
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Before his horror hit ‘The Black Phone,’ director Scott Derrickson broke into the mainstream with a fascinating combination of courtroom drama and possession thriller.
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In 1979 – less than two years after his death – the life of Elvis Presley was first brought to the (small) screen, by director John Carpenter and star Kurt Russell.
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With the Baz Luhrman biopic in theaters, we take a look at the many nonfiction attempts (and angles) to capture the essence of the King.
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George Stevens’ 1956 smash – now on 4K disc and HBO Max – is an epic of both the landscape and the soul.
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When three great ’50s sci-fi flicks were remade in the 1980s, their social and political subtext had shifted – in fascinating directions.
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If you were to ask a casual horror fan to name the first image that pops into their head when they […]
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