Released one century ago, Danish filmmaker Benjamin Christensen’s investigation into witchcraft lore remains a singular satanic sensation.
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Released one century ago, Danish filmmaker Benjamin Christensen’s investigation into witchcraft lore remains a singular satanic sensation.
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Peter Hyams is both a journeyman director and the embodiment of the auteur. A look back at his endlessly entertaining body of work and his total mastery of craft:
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Michelangelo Antonioni’s 1961 drama is one of his finest explorations of alienation and marital despair.
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As Banned Books Week approaches, we look back on Truffaut’s flawed but fascinating adaptation of Bradbury’s censorship classic.
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The inventive Polish-Russian filmmaker’s unique work would influence directors as varied as Henry Selick, John Lasseter, and Stan Brakhage.
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The 1984 drama is absent entirely from “The Last Movie Stars,” but it may be one of Newman’s most important works.
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“I have today’s forecast for you: HOT!” — Mister Señor Love Daddy, Do the Right Thing Arguably the greatest cinematic depiction […]
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Wes Craven’s breakthrough film turns 50 this month, and it’s lost none of its considerable ability to shock.
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His debut feature, which hit Australian theaters 30 years ago, remains the skeleton key for everything that followed.
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Juan Piquer Simón’s outrageous ‘Texas Chain Saw Massacre’ riff hit theaters 40 years ago. Our look at what it’s really up to:
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At a crossroads in his career, Neil Young turned out a nuclear-charged fable about mankind’s last day on Earth. Four decades on, audiences are still scratching their heads.
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Sidney Poitier’s buddy Western – shouted out in “Nope” – is a fascinating mixture of light humor and heavy themes.
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