On this, its 30th anniversary, it’s as easy as ever to dismiss Kevin Costner’s Oscar-winning Western epic. But it’s not quite that simple.
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On this, its 30th anniversary, it’s as easy as ever to dismiss Kevin Costner’s Oscar-winning Western epic. But it’s not quite that simple.
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In ‘Jacob’s Ladder,’ released 30 years ago this week, director Adrian Lyne plumbed the depths of psychological horror and came up with a deeply unnerving portrait of hell on earth
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On the 20th anniversary of its release, a look back at the astonishingly visceral, deeply felt performance by the great Ellen Burstyn.
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The Wes Craven / Eddie Murphy team-up, which hit screens 25 years ago this week, doesn’t quite work – but it offers a road map of the direction horror would take in the years to come.
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Released barely a year after the groundbreaking and wildly profitable original, ‘Blair Witch 2’ was immediately reviled, and then quickly forgotten. Was it a quickie cash-in – or merely ahead of its time?
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Kevin Smith’s sophomore feature was received with something less than enthusiasm 25 years ago this week. A look back at why it’s stuck around, and what it gets right about masculinity, youth, and consumer culture:
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In Noah Baumbach’s 1995 debut feature Kicking and Screaming, everyone is having trouble leaving the comfortable nest of college. Grover (Josh […]
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As Kathryn Bigelow’s sci-fi thriller turns 25, a look back on its prescient and powerful commentary on police brutality and virtual reality.
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The dual debut of both director Karyn Kusama and star Michelle Rodriguez, ‘Girlfight’ (released 20 years ago this week) remains a fierce manifesto for getting – and staying – angry.
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Abel Ferrara’s crime drama, released 30 years ago this week, casts Christopher Walken as a singularly coldblooded antihero.
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It’s a time capsule of ‘90s fashion, music, and attitudes. But its central ethos has, if anything, grown more poignant with the passage of time.
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‘Hackers,’ released 25 years ago today, is in many ways a mid-‘90s relic. But it also predicted much about the way we choose to see and present ourselves in the not-so-real world.
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