Joachim Trier’s festival favorite boasts a wonderful lead performance, but the filmmaker’s shallow understanding of her plight makes for an uneven viewing experience.
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Joachim Trier’s festival favorite boasts a wonderful lead performance, but the filmmaker’s shallow understanding of her plight makes for an uneven viewing experience.
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To mark both Black History Month and Valentine’s season, this month’s catalogue of Miramax’s misdeeds looks back at their fumbled release of a low-budget Black romance.
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A legendary (but not often seen, at least in the U.S.) Spanish cult film finally makes its way to our screens, and it is a scorcher.
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Sundance may have cancelled its Park City presence, but our correspondent “attended” the festival via one of its several satellite screens.
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When the much-ballyhooed “Special Edition” hit theaters 25 years ago, it began an unfortunate tradition of erasing film history.
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The Sundance Film Festival has drawn to a close, and here are our mini-reviews of nine more festival favorites, including ‘Fire of Love,’ ‘Cha Cha Real Smooth,’ and ‘Sharp Stick.’
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Our own Eric D. Snider, once an LDS missionary, brings his experience and expertise to the Sundance LDS missionary documentary, ‘The Mission.’
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This 1928 feature was long considered one of Chaplin’s lesser works. But now it stands as his first great combination of comedy and pathos.
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A look at some of the festival’s darker offerings, including “Fresh,” “Master,” “Hatching,” “Resurrection,” and more.
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Years before they donned superhero suits, Christian Bale and Tom Holland were child actors anchoring very different stories of survival.
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Our mini-reviews of ‘Warhunt,’ ‘They/Them/Us,’ ‘Lockdown,’ and more.
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Our first festival dispatch, featuring mini-reviews of ‘When You Finish Saving the World,’ ‘Dual,’ ‘892,’ and more.
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