Sofia Coppola’s career is nearly universally concerned with the unspoken loneliness of womanhood, and her directorial debut, The Virgin Suicides, often feels like a partially grasped memory or a half-forgotten dream. Her 1999 adaptation of Jeffrey Eugenides’s 1993 novel is hazy and sun-kissed, with imaginative cinematic flourishes that transform the film’s central sisters into more […]
Read more