Review: Knives Out

Rian Johnson’s Knives Out is both a loving tribute to the murder mystery genre and a scathing satire of white privilege and the bootstrapping myth in the age of Trump. It’s one of this year’s most entertaining examples of art as a reflection of the time and culture that produced it. Its Agatha Christie-inspired story, […]

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Review: Frozen II

Disney’s Frozen has remained an impressive cultural phenomenon since it hit theaters in 2013. We’ve now had six years of little girls dressing like Anna and (mostly) Elsa, and carrying around stuffed versions of Olaf the snowman and Sven the reindeer. Usually there’s some lag time between the first and second films in a franchise […]

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Review: Entwined

What wild and unnatural spirits exist in the depths of the forest, possessing an ancient and eternal power far beyond our reckoning? There’s an otherworldly quality to the woods, especially when they’re unfamiliar to you. When you’ve grown up in a certain area and have memorized the face of each tree and every bend in […]

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Review: Queen of Hearts

Society tends not to bat an eyelid at intergenerational relationships so long as the elder member of the pairing is a man. Even as unease mounts over a mating pattern-turned-cliché, people seem more comfortable when the power dynamic aligns with the gender dynamic. It’s tough to say that older women can afford the same luxury, […]

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Sleepy Hollow and the Rise of Gothic Noir

Washington Irving’s 1820 short story “The Legend of Sleepy Hollow” is a classic of Gothic horror, an atmospheric and ambiguous tale about a schoolmaster named Ichabod Crane who encounters a possibly supernatural foe known as the Headless Horseman. Tim Burton’s film Sleepy Hollow, released 20 years ago this month, only barely resembles its source material: […]

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Review: Lyrebird

In the aftermath of war, especially one as psychologically scarring as World War II, people become obsessed with black and white. Who was right, and who was wrong. But ironically, wartime is when shades of grey have the most variation, when the lines between hero and villain, patriot and traitor, are constantly in flux. And […]

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Review: Feast of the Seven Fishes

Holiday movies, especially Christmas movies, tend to be high-concept affairs, featuring guardian angels, kid-made booby traps, or ghosts haunting a miserly old man. Feast of the Seven Fishes is one of the rare Christmas movies about nothing crazier than a family’s Yuletide traditions. The film is an evocation of a particular place and time that […]

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Review: Temblores

In Guatemalan writer/director Jayro Bustamante’s feature debut, Ixcanul (2016), the filmmaker shone a light on how an indigenous community around the rim of a volcano inhibited the sexual development and personal agency of 17-year-old María. Their tribalism, traditionalism, and piety keep them cloistered from the advances taking place in the country’s modernizing urban cores — […]

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Review: The Shed

There’s a lot to like in The Shed, the feature debut of writer-director Frank Sabatella, but there is also, well, just a lot here. Part coming-of-age thriller, part horror, The Shed almost collapses under the weight of its own ambition and its complicated structure.  The film opens with a man, Joe Bane (Frank Whaley, a […]

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REVIEW: Ford v Ferrari

There are no legal skirmishes in Ford v Ferrari. The battles between the automakers take place in boardrooms, racetracks, and other places where men have car-measuring contests. Directed by James Mangold, who brought similar confidence to Walk the Line and 3:10 to Yuma, this is a smooth, crowd-pleasing true story about Americans striving to outpace […]

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The McG-enius of Charlie’s Angels

“Another movie from an old TV show,” sighs a character at the beginning of 2000’s Charlie’s Angels when confronted with the fictional T.J. Hooker: The Movie. Coming at around the same time as the feature-film versions of Mission: Impossible, The Mod Squad, The Avengers and Wild Wild West, among others, Charlie’s Angels (based on the […]

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