
Martin Scorsese works with two of his favorite themes in Silence — Catholicism and violence — but not in the way he’s done in the past. Slowly paced and, yes, often quiet, Scorsese’s adaptation of Shusaku Endo’s acclaimed 1966 novel has the contemplative mood of a Terrence Malick film, or one of Werner Herzog’s madmen-in-jungles adventures, […]
Read more