In spring of 1995, with the releases of “Exotica,” “Muriel’s Wedding,” and “Priest,” Miramax was ready to test the limits of censors and audiences.
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In spring of 1995, with the releases of “Exotica,” “Muriel’s Wedding,” and “Priest,” Miramax was ready to test the limits of censors and audiences.
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Our mini-reviews of “Kung Fu Rookie,” “Operation Undead” “Cannibal Mukbang,” and more of this week’s on-demand treasures and trash.
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As we mark five years since the COVID-19 lockdown, a look back at the Scotch-taped solutions for theatrical distribution, which resulted in the memory-holing of some very fine films.
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As Monty Python’s second feature turns 50, a look at how it became the cult film that broke them in America.
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Steven Soderbergh’s latest finds the prolific, efficient filmmaker doing what he does best: making a smart, sexy genre movie for grown-ups.
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David Cronenberg’s oppressively bleak drama “Spider” is often seen as un-Cronenbergian, but that couldn’t be further from the truth.
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“I can’t say that I would recommend it to anyone other than to look at it in the context of a career.” –Steven Soderbergh It’s a safe bet The Underneath is nobody’s favorite Steven Soderbergh film. That goes double for the director himself, since he had no problem with allowing it to be included as […]
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Released at the same time Barack Obama was sweeping the 2008 Democratic primaries, Margaret Brown’s documentary about Mobile, Ala.’s segregated Mardi Gras celebrations is a potent reminder of a time when hope and change were plentiful.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Before producers Barbara Broccoli and Michael G. Wilson handed the James Bond reins to Amazon, only one mission was completed outside the family, and now ‘Never Say Never Again’ plays like prophecy.
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1968’s winner for the Best Foreign Language Oscar – now streaming on Criterion Channel in its Czech New Wave collection – is a wry warning against passivity in the face of fascism.
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The documentary legend’s latest is debuting on Netflix to little fanfare — a distressing trend among his recent filmography.
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