Our mini-reviews of “Dusk for a Hitman,” “Max Beyond,” “Alam,” and more of this week’s straight-to-VOD fare.
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Thirty years on, Shu Lea Cheang’s debut feature cum experimental sci-fi political critique comments pitch-perfectly on issues that plague our contemporary world.
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Peter Bogdanovich’s 1981 screwball comedy (now streaming on Max) is a lightweight soufflé of a movie, inadvertently shrouded in tragedy.
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Reese Witherspoon portrays Tracy Flick as something teenage girls in film are so rarely allowed to be: unrepentantly ruthless in their ambition.
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Guy Ritchie makes a bloody splash with his take on the World War II ensemble action movie.
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In 1994, both films took a stab at resurrecting a Freddy Krueger-type character. What they ended up doing instead was argue in favor of the horror genre itself.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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With Alex Garland’s ‘Civil War’ in theaters, we take a look at the long history of blowing up the nation’s capital in the movies.
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Fifty years after its release, the controversial drama still has the power to shock and unnerve.
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Alex Garland presents a bleak view of a near-future America in this dystopian film.
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The late, great French filmmaker is in the spotlight on the Criterion Channel.
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Our mini-reviews of several new titles for home viewing, including “Strictly Confidential,” “All You Need is Death,” and “Sweet Dreams.”
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