With his comic legacy secured, the actor/screenwriter reaches new artistic heights with tales of real-life women on quests in “Philomena” and “The Lost King.”
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With his comic legacy secured, the actor/screenwriter reaches new artistic heights with tales of real-life women on quests in “Philomena” and “The Lost King.”
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Our mini-reviews of ‘Last Sentinel,’ ‘Butch Cassidy and the Wild Bunch,’ ‘Are You Lonesome Tonight?’ and more of this week’s straight-to-home-viewing fare.
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Our mini-reviews of ‘The Donor Party,’ ‘The Year Between,’ ‘Punch,’ and more of this week’s straight-to-VOD fare.
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Fifty years after giving the previously exiled Charlie Chaplin his only competitive Oscar – thus mirroring the prophetic ending of the film he won for, ‘Limelight’ – Hollywood continues to co-opt the hard-earned comebacks of those it once mistreated.
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Our mini-reviews of ‘Devil’s Peak,’ ‘Lamya’s Poem,’ ‘Who Are You People,’ and more new low-profile video-on-demand fare.
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This week’s straight-to-VOD mini-reviews include “Who Invited Charlie?,” “Woman of the Photographs,” and “Daughter.”
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Our mini-reviews of “Petit Mal,” “Erin’s Guide to Kissing Girls,” “Blood,” and more of this week’s straight-to-VOD fare.
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Move over, Statham! With the release of ‘Plane,’ Gerard Butler once again asserts his status as king of modern-day B-movie schlock.
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Our mini-reviews of ‘The Seven Faces of Jane,’ ‘Actual People,’ ‘Kids vs. Aliens,’ and more.
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By studying the masters, the writer/director developed a firm foundation that’s served him well in his career as a filmmaker with his own distinct style.
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She slashes, she slays, she … sings? On ‘M3GAN’ and a musical moment that is more than just another “WTF” head-scratcher.
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Our editor-in-chief and contributors share their favorite films and actors of the year, along with some thoughts about the current state of the art.
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